Showing posts with label Book Expo America. Show all posts
Showing posts with label Book Expo America. Show all posts

Thursday, June 7, 2018

2018 SCBWI New Jersey Summer Conference - By Barbara DiLorenzo

Yesterday, the Drawn to Picture Books Blog activated an old post, and sent it out to folks. For the life of me, I can't understand how that happened. I thought maybe I had set a time for it to release and typed the wrong year. But June would have been too early for the post to have appeared last year. My best guess is that the blog felt ignored, gained sentience, and nudged us to get going again.

I see you, Drawn to Picture Books Blog–happy to oblige. 

I was already thinking of writing a blog about this past weekend's SCBWI New Jersey Summer Conference. We were missing one of our members, lost to the wilds of Book Expo America. (Patricia Keeler, drawing on the spot, impressing all the librarians!) But everyone else was present. It was amazing to catch up in person, talk about our projects, and share our ongoing challenges. We also discussed sharing work with each other again–something, like the blog, that had taken a back seat when everyone got busy with actual book work. 

I realized during the conference that those outside opinions, other eyes on the projects, really do help us revise and refine our work until it's closer to presentation-worthy. I had a workshop before a one-on-one critique – and information from both brought a new idea forth for my current book dummy. That one idea would not have happened with me alone in my studio–I needed other eyes on my project. And that idea could be the element that brings the story across the finish line. 

Going to the conference was also very helpful in reiterating that publishing is hard work, and the best of the best get rejected–but they don't ever quit. I think I'll need that message until my last moments drawing and writing. The keynote speaker on Sunday, Tami Charles, brought that point home in her closing remarks.

I was very happy to see many friends enjoy leads to follow up with editors or agents. Some earned representation solely from this weekend. New folks were encouraged, which encouraged me. Seasoned writers and illustrators took in the workshops with a sense of calm purpose. I liked seeing that. The desperate energy I carried with me at my first NJ SCBWI conference was most likely offputting. These veterans confidently presented workshops and attended others. Some participated in the art show, but others–having won before–sat back to let others have a turn. 

What I was most struck by at the conference was Paul O. Zelinsky. He gave a great keynote address on Saturday. I could have listened to him speak for hours more than he was alotted. After that, for the rest of the weekend, friends and I kept bumping into him and having terrific conversations. From discussions about the pattern of his shirt (all the scenes from Z IS FOR MOOSE) to answering questions about publishing–he was so dang approachable, friendly, and funny. He is a giant in the industry. Friends for years with Maurice Sendak. (The photo below was taken from his Facebook page.) But he was still willing to answer questions about the editor/illustrator relationship with newbies. I thought his work was amazing before I met him, and was always a fan. But now I'm a fan of Paul, the person. 


I missed the conference in 2016 due to a funeral. And in 2017, I was financially strapped, with a new baby, and a book that had just come out–so completely overwhelmed. The previous conference I attended was in 2015. Because it had been so long, and I was missing friends and the world of kidlit, I volunteered for the NJ chapter of SCBWI just so that I would have no excuses to miss this year's conference. I'm so glad I did. 

I'm also glad I did, because for the first time ever, my illustration earned a nod in the art show. So did Mike Ciccotello's piece. It felt good to be up on the stage with my friend. I don't expect that to happen again–but that warm sunshine glow of that moment will be kept in my heart for those dark moments of doubt that creep in far too regularly. 

If you have the opportunity, get involved with your local SCBWI chapter. You will come home from an event with a feeling of validation–that what you are doing is important work. And the knowledge that you are not alone at all. Writers and illustrators all around the globe, who may not even speak your language, have your back. And want to give you the confidence to keep moving forward and never quit. 

Now to go order fabric with Paul O. Zelinsky's awesome pattern on it!



Wednesday, May 24, 2017

What is Book Expo America? by Patricia Keeler


Yay! My picture book, LIZZIE AND LOU SEAL, Sky Pony Press, has just been published. Yep! I'm going to show at Book Expo America to promote it.

Book Expo America, BEA, is the largest annual book trade fair held in the United States. This year, it takes place at the Jacob Javits Convention Center May 31st through June 3rd. Jacob Javits Center is so big it goes from 34th street to 40th street along 11th Avenue in Manhattan.  


Anyone can go to BEA. Last year, in Chicago, about 10,000 librarians, bookstore people, book bloggers, teachers, museum people and people who just love books paid $100.00 or more to attend for three days. People came from every state in the US, plus nearly 70 countries.  

There are large displays by the big publishing houses like HarperCollins and Wiley. The booths are run by the editors and salepeople. It's a monster big show!

HarperCollins Publishers has an entire aisle.
But I find it a most confusing show from the get-go. BEA's website is hard to navigate. It's slow to load, hard to read, and in black and white. The show is so big, I can never find the booth I'm looking for, and the concrete floors are hard to walk on all day. You can't buy any books, although on the afternoon of the last day publishing houses may give away their books so they don't have to pay to ship them back. It can be frowned upon to show editors artwork or a book dummy, as the houses are there to sell books, not buy them.

The worst section at BEA is near the back wall, where a row of lonely home-made authors pay over $1,000 to sit behind a card table with their slight pile of books. I've been to BEA a couple of times and avoided this row of the hoi polloi.  
A tiny section of Book Expo America floor
But this year I'm Hoi Polloi Booth AM34

Actually, I'm 'Spot' AM34, because it's 4 feet x 4 feet. Do you realize how small that is?



Why would I do this? Let's go back to the top of this blog where I say 10,000 book buyers! I couldn't go to ten thousand libraries and bookstores in my lifetime if I went every day! And they are all going to be right there, for three days, walking around looking for books for their libraries and bookstores.

I know, I know. They will be looking for major publishing house booths, not mine. So I'm going to set up my easel and sketch librarians and book sellers as children's book characters.

Here's a card I made.
I have earring and necklace giveaways. Also, BEA has something I think that is new, and it's really helpful. Guests sign up for your booth on your own BEA site before the show. So far I've had over 50 people signed up, including folks from New York Public Library and Barnes and Noble. One man emailed and said he was looking to buy 5,000 books -- I think he got me mixed up with the real Sky Pony Press booth -- but he's really looking forward to meeting me!

So I'm excited to get the opportunity to present at the same show as the major houses! I could make amazing contacts! I could do amazing sales! 

Or this could be the worst idea I've ever had.

Yikes! I can't step off the mat!

  Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeeler

represented by Liza Royce Agency www.lizaroyce.com