Showing posts with label creative process. Show all posts
Showing posts with label creative process. Show all posts

Wednesday, February 28, 2018

Keep Creating by Diana Ting Delosh

"Don't think about making art, just get it done.
Let everyone else decide whether it's good or bad, 
whether they love it or hate it. 
While they're deciding, make even more art." 
- Andy Warhol  


I don't know about you, but if I get a good review, I'm floating up high and if it's bad, I'm down in a dung heap. Either way, I'm temporarily derailed. With the good review, I feel validated and I'm soon back to making more stuff.  A bad review makes me question my instincts and along with the insecurity comes paralysis. 
Sleeping Giraffe © Diana Ting Delosh.
Experimenting with my art process.
The trick of course is to keep creating despite the critics. After all, you can't control other people's thoughts or tastes. Whether they're positive or constructive or pure negative, it's all fleeting. One day you're a FAVE. The next day you're not. Your work can be daring, bold, trail blazing. Some people will love it. Others will hate it. For whatever you create there will always be an opinion; good, bad, even meh. And it's always changing. Absorb what's helpful. Move on. Keep creating.
Rabbit's Tomato Red Rain Boots © Diana Ting Delosh.
Another art process experiment. Is it FRESH? Is it ME? 

Twitter: dtdelosh

For your picture book storyboarding process
Check out: 
The BIG ThumbNailer
ThumbNailer
  

Wednesday, January 17, 2018

Sucked In - By Deborah Cuneo


Have you ever noticed those sponsored ads that randomly pop up on your social media feeds? They just happen to be a product that was exactly of your interest and for a great price too (of course), so you just have to click on it, right? No?... Just me? 


Photo of the product from Google


Well I have, it was and yes...I did. The product was a Body Kun, articulated sketch model...translated: a glorified, overpriced, cheaply made naked action figure. I had seen these things on and off over the years, but never really had given it too much thought until a few months ago. I was working on a project (another one I can't share yet) that had a lot of humans in it.  I couldn't find the poses in the povs  I needed and my only available models were either canine, feline or humans that were always too busy to pose for me.  


After endless hours of less than fruitful Google searching, I succumbed to the pressure of one of the pop-ups from "The Best Deals" (of course it would be named that) and clicked on the ad. I almost choked on the price, despite the "One time only, 50% off sale!!" (said in your best, loudly exaggerated, tv-salesman voice ). But, it truly seemed to be the answer to my situation and it came with really cool, extra miniature body parts and accessories to draw, so I bit the bullet, ignored the soft voice in my ear whispering "suckerrrr" and pressed "place order". 

Tiny accessories - yes, that's a dime!


Ok...so after a couple of weeks, my brain had somehow justified the purchase of not one but two (a male and female version) and I was actually excited by the time my shipment arrived. I set up my sketching supplies and opened the box and there they were!! They were a lot tinier than they appeared on my screen, but no biggie. I was going to set them up and photograph them so, I'd be able to enlarge it later.


I opened up the package with the woman first. She was in pieces...teeny, tiny, little pieces that didn't want to go back together no matter how many hours I tried. No problem, I'm adaptable, if anything... I would use the guy for both, for now. Fortunately that one was intact...till I tried to gently pose it, at which point I snapped the little dude in half. This one went back together easier than the female, until I tried to pose him again. After a few more times of performing micro surgery to put him back together (not to mention that the voice in my ear was now repeatedly screaming the word sucker) , I decided to email for a full refund.


Fortunately, their customer service was pretty good and they got back to me right away. They were also excellent salespeople too, ugh. Shortly after, I received two, free of charge,  brand new, male and female action figurines in the mail, that were actually intact...even after I touched them! I immediately set up my photo shoots and was able to draw the poses I was after. Yay, a happy ending...sort of. 

Photo Shoot Set Up



So,  the bottom line review on this product...

I think the initial idea was a good one, because there is a true need for an articulated figure of this nature, but the product itself is really poor quality! For what it's worth, I give it a 1.5 to 2 out of 5 stars for quality and pricing,  and a 4.5 for usefulness. 


They are very cheaply made and questionably priced ( I've noticed that whatever the sale, they are always the same cost in the end, hmmm...).  But, if you can get past fumbling with a defective stand and figurine, tiny parts that you need tweezers and a magnifying glass to see, pick up and put together, and the fact that the figurines are still a tad on the fragile side (understatement!),  they actually are super handy for getting that exact pose, in the exact point of view that you're looking for! 

Photo Shoot

 But buyer beware, for sure!!  



Blog: Creating Out Loud  deborahcuneo.blogspot.com
Twitter: @debcuneoart 
 Instagram: @ataleof2studios

Wednesday, November 8, 2017

Nine Little Years - By Barbara DiLorenzo

Last Wednesday, I moved from an apartment to a house, eager to have more space for my children and room for my studio. I have shared common space for years, and though it's fun to be right where everyone else is, the distractions were starting to have a negative effect on my work. In my new home, the entire dining room is my art room. There is even one door to keep folks out! The other doorway has no door, but it's open to the kitchen. I'll accept visitors from the kitchen if they bring me snacks.

In the packing process, I came across my first real world art accolade–from the North Shore Arts Association. My painting won the Hazel Morey Memorial Award. I remember feeling so proud to get in as a member, to have my painting juried into the show, then finally, to win an award. As exhilarating as it was, it wasn't exactly what I wanted. All my life I had wanted to write and illustrate picture books, and I felt that I was simply spinning my wheels in that department.

"STARBUCKS" Plein Air Painting from the series, THE PLACES WE SHOP
Acrylic, 2008 by Barbara DiLorenzo
Winner of the Hazel Morey Memorial Award

Looking at the frame, I realized the date on the award. 2008. Nine years ago. So much has happened in those nine years. A mountain of rejections–both for fine art shows and for illustration. But also, so much has gone well. I'm writing and illustrating my own books at long last, with one out now and one coming out in the spring. I'm going on school visits to share the bookmaking adventure with young students. And I'm teaching art and illustration to all ages through the Arts Council of Princeton. In just nine little years. I thought it had been at least 25. It felt like it anyway.

LEFT: Art award from 2008
RIGHT: Book award from 2017
MIDDLE: Max, always causing mischief in the studio...

That helped me put into perspective all my current anxiety about how well my first book is doing, whether I'm doing everything I can to support it, whether anyone will ever let me make a book with them again. Believe it or not, these thoughts, and worse, run in a rotation through my head regularly. I had always believed anxiety would ebb with the first book. In some ways, yes. But a whole mess of new worries crop up to take the place of the old worries. But seeing this frame, marking the timeframe between the start of my career and today, I realized that if I'm lucky to be alive, the next nine years could be amazing. And of course, filled with a mountain of rejections. But also, hopefully, with more projects that go well.

by Barbara DiLorenzo
Now booking author visits for 2017-2018!

Barbara is represented by Rachel Orr of the Prospect Agency.
Twitter: @wavepaint
Facebook: @BarbaraWillcoxDiLorenzo
www.barbaradilorenzo.com

Thursday, April 20, 2017

Sketch-play/Character development- By Deborah Cuneo

Dog Characters-Development Sketches

 
While I love all aspects of being an illustrator, my most favorite part is creating visual characters. And for me, because I tend to be my most creative while I'm multitasking, character development always starts with a lot of  random "note taking" and short bursts of sketch-play. 

As soon as I get a project, I immediately commit the list of potential characters to my brain, so I'll remain subliminally mindful of that list at all times. Inspiration for the characters often strikes in fits and spurts and always at the most random, inopportune time, so I've gotten used to recording my reference information quickly. Sometimes, in the form of an artistic shorthand, usually on assorted pieces of loose papers, a couple of random notes in a notepad I keep in my purse or I'll snap a quick photo or two for reference. 
 
Met a New Friend at the Pet Store!

Later on, as I have little blocks of time, I gather up everything and do a little sketch-play based on my notes, which is simply allowing myself total freedom to draw "whatever", be silly and not worry if it's pretty or not.  It's the artistic equivalent of taking really sloppy, fast notes. This way, I build on all the bits and bobs of inspiration while the sparks are still fresh in my mind.

Sketch-Play


After a while of this sporadic, freestyle, sketchy-note taking, the character starts to reveal him or herself to me and I have my starting point.


Small dog character coming to life - Early stages

St Bernard dog character coming to life - Early stages

Doing it this way is not for everybody, but it fits my sometimes chaotic, creative state and gets the job done in spite of it! I'm really looking forward to getting to know these new "friends"!!

Wednesday, March 8, 2017

Creative Confidence by Diana Ting Delosh

Work Space
The amount of space is not important just that you have a spot you can claim your own. I claim a small spare bedroom as my studio space. I definitely need more shelving and flat files. It is chaotic but it is mine. I do most of my thinking and artsy mark making here.
My Drawing Board:
Working on sketch revisions for my picture book dummy. On the desk:  
Finished sketches on tracing paper clipped to the desk so I can flip through as needed. Various storyboard printouts so I can check the flow. ThumbNailer for doodling sketch revision ideas for page 26. Sketch page 27 that I thought was done but now I think it needs to be changed. Orange triangle. bits of blue tape

I also have a bag packed with my notebook, scribbling implements, small sketch book and ThumbNailer for those times I need to be on a train. While I can't do finished art, I do find the train rides great for thinking, scribbling concepts and solutions or just sketching. All I need is a seat and some elbow room. Is it just my imagination or has the Long Island Rail Road gotten bumpier?
My Travel Bag: note book, ThumbNailer, small sketch book,
Pencil case with pens & pencils, LIRR train ticket.
Mental Space
Sometimes I need to get away from all the noise of social media, TV, etc. Good or bad sometimes it's is just too much. Probably why I like just doodling in a sketch pad or writing longhand in my notebook with only the natural sounds of my environment. The physical act of writing or drawing connects directly to my day dreaming brain. Sometimes I listen to podcasts. I usually start my day with a cup of tea and some journaling in my notebook. Helps me set the tone of the day.
Tea Steeping and Vitamins © Diana Ting Delosh
Biro Sketch from INKTOBER 2016 series.


Creative Confidence
This last one's a must. Without it creating is almost impossible. It is also a very fragile commodity. Unfortunately, it's too easily effected by outside influences. The nice comment on your WIP can buoy you up and make the process fast and smooth. It can also puff you up so much that it's hard to get your butt back in your seat. While the off remark can make you question every mark and send you down a creative black hole or spur you on in defiance.

So how does one build Creative-self-confidence? My thoughts are to practice, practice, practice. Fake it, put pencil to paper or however you begin and work it. Build your creative skills. Develop your own aesthetic. Seek out reviews from trusted peers and industry professionals. Sure, this opens you up to the possibility of an ego bruising review but it is the only way to improve and develop a thicker hide. Take in the advice. Decide if there's some merit to the critique then go back to the drawing board. At times you may feel like an imposter but keep at it.  Sometimes you just have to take the leap and believe in yourself.
Fox and Butterflies © Diana Ting Delosh
Brush Pen, Watercolor, Digital.

A small quick Illo created for the weekly illustration challenge on Twitter #colour_collective for the week, Sweet Potato.  Realized  that I had been working on mainly sketches and I needed to do a finished colored piece of art just to keep my hand in the game. Practice, practice, practice. Also, sometimes you just need a break from what you're focused on to recharge.

Twitter: dtdelosh

Check out: 
The BIG ThumbNailer
ThumbNailer

Wednesday, March 1, 2017

Sometimes...You Fall. - By Deborah Cuneo



Did you ever see those memes being passed around on social media? It shows a group of pictures showing what "THEY" ( fill in who they are) think I do vs. what I actually do? Of course I laugh at a lot of them, but unfortunately, there is an element of truth in that humor. (all meme images are from Google, they are not my images)

 (That last one hit a little too close to home, as of late!)


Being a visual creative, you realize that everyone has a different perception of how we make art happen, what skill set might have been needed to accomplish the final product and how long they think it should have taken. The reality is, that it's extremely hard work, long hours in isolation, and is not always a smooth journey....especially when you decide to try something new!  


Not to say that every single project is a total disaster. Sometimes I start a job and everything seems to just fall into place, with the exception of a couple of minor speed bumps on the road to the finish. But occasionally, both the creative and technical hurdles to get a job done, can become overwhelming. And just as you jump over one hurdle , you're met with another and another after that. Sometimes those hurdles come fast and furious, one right after the next, so you just keep jumping over them and continue moving forward, right? But, sometimes...you fall.
 
Illustration by ©Deborah Cuneo - "How The Coyote..." - Pioneer Valley Books


And it's okay. It's during that rather abrupt halt in artistic momentum, when you're laying on the cold, hard ground of reality, feeling totally exhausted, emotionally drained (and somewhat defeated), that you realize it's not just your artistic skills that are going to pull you through. It's your ability to troubleshoot and find creative solutions for problems you never even knew existed, that now become your most valuable skill! It's also in that moment of despair and frustration, that we seem to be the most creative!


Being a bit of a podcast junkie, I recently came across a great Ted Talk about frustration as a catalyst for creativity. ( link below) 




By the time I listened to this, I had already begun to figure out how to resolve my technical hurdles for my current project,  but I found the similarities between what lead to my solutions and what was intentionally done to those creatives to inspire innovation, really intriguing. I also found it interesting that the scenario that most people usually do everything to avoid, can actually produce a very positive, creative spark!  

Little Dragon - Sky Pony Press

Thinking back, it truly was in those toughest times, when everything in my creative process was overwhelmingly frustrating, that I seemed to tap into my most creative thinking. Now ...I hope it all pays off !


Wednesday, January 11, 2017

Hello Again by Jason Kirschner


I've been away.  I'm pretty sure none of you out there noticed because my partners have been turning out some seriously good posts.   I haven't been contributing to the blog in quite some time. I really haven't been contributing anything kid-lit-ish for a bunch of months now.  I've got a day job -- I imagine there's a good portion of you out there that do-- and lately my day job has been a bit overwhelming. So I took a step back. It was a bunch of steps, actually-- probably a few too many.

I had so little time to write or draw.  I put a good amount of pressure on myself to use the little time I had wisely, which to me, meant a new book manuscript/ dummy. The problem with this was that I was too tired and the work wasn't good. Which made me frustrated. Which made the work even worse. You can see where this is going right? It's a vicious circle. Mix in a huge dollop of exhaustion, a dash of cynicism, and a few teaspoons of doubt and you get one hell of a creative blockage. And, no, more fiber doesn't help.

So there I was. Winter was coming ( literally and figuratively. Sorry George R.R.) and I had absolutely no new work to show. No portfolio pieces. No manuscripts. No book dummies. I was so frustrated. When I don't draw regularly, I get angry -- kinda like a smaller artsy Hulk. And then I found the one thing that saved me. Want to know what turned it around for me? Get ready for the big secret.

I started to.....doodle. 

Well, that's not quite right.  I doodled....With Intent. 
(This unintentionally sounds like an SVU crime.)
Instead of drawing the same characters over and over again like I did in junior high ("Look it's Wolverine. Again.")  I started setting myself little drawing challenges whenever I had a few free minutes.  These had nothing to do with my flailing book dummy or any other required work. I'd challenge myself to draw a cowboy lizard, or a raccoon in armor, or ducks....in space. There was no pressure because I drew on cheap lined pads lying around the office. It didn't matter if I screwed up. I wasn't going to post them online or show them to my agent so there was no fear of what others would say. It was just for me. And it was fun. It was so good to be drawing again and taking a break from the characters in my book dummy was refreshing.
I even made a pocket on the back of my pad!




After a few weeks, er...months of this I was able to get back to my book dummy and complete it. And some of the doodles sparked other ideas. Some didn't. That's ok too. And so now I'm talking more forward steps than backwards ones. And here I am. Blogging again. I mean I'm pretty sure you all knew about doodling already but it's my first post in a while.  I'm building to the good stuff. 

 

By day, Jason is a set designer for television, with credits that include The Meredith Vieira Show, Late Night with Conan O’Brien, and The Late Show with David Letterman. By night,
Jason is an author and illustrator of children's books. You can find his debut picture book, Mr. Particular: The World's Choosiest Champion on shelves in bookstores everywhere. See more of Jason's work at www.jasonkirschner.com. Follow him on twitter @jason_kirschner .



Wednesday, September 14, 2016

Thumbnails - By Deborah Cuneo



As an illustrator,  when you hear the word  thumbnail, you probably  think of  a rough, miniature doodle.  It's  always been a tried and true way to flesh out an individual piece or an entire storyboard.  And... while I do start each new illustration with a small, rough sketch, over the years, the idea of "thumbnail" has become so much more  a part of my entire, creative process.

I generally start every illustration with a rough thumbnail.  If I'm working on a group of spots for my portfolio, or a book project, I eventually end up with a series of these rough little drawings in the form of a  storyboard. I've also been using thumbnails to write out the text with illustration notes for myself. But, for me, their usefulness doesn't end there.

I like to work on the entire series or book project  all at once to keep everything consistent, but tracking all the details  while working that way, can be a bit overwhelming, especially now that I 'm working more with digital tools and layers. I tried many different ways to keep track of what I did, but being a very visual person, I kept coming back to those simple little rectangles with the line down the middle.

 So...now I use the thumbnail format for everything from tracking how many of the main elements have to be rendered in separate  layers, any revisions that need to be done, to mini color studies to give myself a full color overview and pretty much everything in-between.


Color Tracking - Little Dragon Sky Pony Press-2017

Color tracking thumbnail, close-up - Little Dragon Sky Pony Press- 2017


I find that the "at a glance" of the entire book, at different critical points in my process, really help me to keep tabs on all aspects of the project. And, I always have the thumbnails close by, so I can look them over with fresh eyes from time to time. Kind of like occasionally stepping back from a painting, only in this case, it's the whole project. When I do that, I can see things about the project that I couldn't, by just looking at one piece at a time, for hours on end. If something jumps out, I jot it down on the thumbnail sheet and mark it off when I address it. It all becomes part of the documentation for my project and they're nice and small, so easily put in the file.

Overview thumbnails - Little Dragon Sky Pony Press-2017

I had always just printed out my own thumbnail sheets, but we all know what happens to loose sheets of paper, despite our best efforts to keep everything together. So,  I'm happy  to announce that one of my blog buddies, Diana Delosh, came up with a small portable book, with lots of pages of my favorite little rectangles with the line down the center.

ThumbNailer / interior-   created by Diana Ting Delosh
 It's lightweight, portable, feels great (I'm also a very tactile person), has 51 pages with 8 thumbnail boxes per page and best part...it's totally affordable ! It's called ThumbNailer and you can get your book through Amazon.  I have Prime, so I got mine in 2 days and no shipping!
ThumbNailer /cover -  created by Diana Ting Delosh


I think this is going to work out really well, not only for the beginning sketching part, but also for keeping all aspects of my book projects together in one place.  For the price of a big, fancy cup of coffee, I can get one book for each project, as well as have one in my purse at all times in case inspiration strikes.

I'm just about done with the art for Little Dragon, but I always have another couple of book projects in the works that the ThumbNailer will be perfect for!