Showing posts with label ink. Show all posts
Showing posts with label ink. Show all posts

Thursday, November 2, 2017

In the Mud by Jason Kirschner

I haven't posted on this group blog in a while. I've been off in the "dayjob" world and my fellow bloggers have been kind enough to deal me out of the rotation for a bit. (I mixed metaphors. I know. I'm ok with it.) But it's my turn today, and since we all know that I consider this blog the closest I get to therapy, I thought I'd share what's on my mind.

I have recently been taking a break. Not only from this blog but from creating kidlit altogether. Since the end of the summer, I haven't really written or drawn anything that could potentially end up as a book of any sort.  I was tired and I felt I was spinning my wheels but getting nowhere. I started a new season of tv at "dayjob world" and told myself I just didn't have the time but I think I was making excuses. I think I was just a bit burnt out. I doodled a bit here and there and wrote down random story ideas or plot points but nothing really constructive.
And then October rolled in. I forced myself to try Inktober as a way to start drawing daily again. Now I would consider myself a pencil guy. I draw with pencil on cheap paper and mostly color my stuff digitally. Ink doesn't really enter into my process. Plus, I've tried Inktober before and never gone further than 8 or 9 days. But it seemed like an escape ladder out of the small muddy pit of not-drawing I'd dig for myself. I don't know why it was muddy-- that's a mystery to me too.

SO...Inktober day 1, I posted something I wasn't entirely happy with but I felt an ounce of satisfaction at having completed something. I made a decision to do no erasing or digital doctoring.
"Don't be fussy," I found myself saying as a mantra.  Day 2, I started to try to explore the different things I could do with the few ink pens I found in my bucket o' art supplies. Maybe a teensy bit more satisfying.

Day 3.
On day 3, the prompt reminded me of a character I had written a picturebook manuscript about. It was the project I was spinning my wheels on earlier this summer. Day 3 was the turning point for me. On day 3,  I decided to make my Inktober about the bunnies in the book I wanted to finish. I christened it "Bunntober."

It started to be fun to visit the characters each day. And the ink became fun too. I got a few more markers and pens at my local art store. Now I could do grey washes with Copic wide markers and really teeny details with Micron pens. I still did my layouts in my very comfortable Prismacolor pencil #943 and then inked over it. The prompts gave me aspects of the characters to explore that I hadn't yet and the ink somehow made the drawing fun again because I got semi-finished sketches that did, but also didn't, resemble the work I was familiar with.
And people were commenting and liking my stuff. I wasn't an Inktober star like fellow D2PB'r Mike Ciccotello but I got a bunch of new followers and some really lovely comments. I know that's not why we make the art but encouragement is always lovely.  Most importantly, I think I've dug my way out of the pit and I'm ready to start my dummy. I've actually already started roughing out some pages and I think I might be finishing the finals in ink!


Day 24.
Day 31.

Day 25.
Day 27.
I guess this is a super duper, barely coherent, long winded way to say...if you're stuck in the mud, try something new.  A new medium, a new color scheme, heck...sometimes just a new sketch pad or a sharpened pencil might be the answer. It just might help you climb back out of the mud. Geez --there's the mud again. I'm going to go wash my hands.
Day 9.

BTW, if you haven't checked out the amazing work people have posted as part of Inktober, you really should. Superstar Mike Ciccotello is on Instagram @ciccotello and if you want to see more of my #bunntober experiment, you can find me on IG at @jkirsch118.  Our other D2PBrs are posting art on social media too...check out the links in their profiles.

By day, Jason is an emmy nominated set designer for television, with credits that include Harry, The Meredith Vieira Show, Late Night with Conan O’Brien, and The Late Show with David Letterman. By night, Jason is an author and illustrator of children's books. You can find his debut picture book, Mr. Particular: The World's Choosiest Champion on shelves in bookstores everywhere. See Jason's work, both illustrations and set designs,  at www.jasonkirschner.com . Follow him on instagram @jkirsch118. 



Wednesday, October 12, 2016

Inktober to me, by Mike Ciccotello

What's Inktober? (from Jake Parker's site)
Every October, artists all over the world take on the InkTober drawing challenge by doing one ink drawing a day the entire month. I created InkTober in 2009 as a challenge to improve my inking skills and develop positive drawing habits.
–Jake Parker
This year, at the end of September, I posted on my Facebook and Instagram account about the tools I’d be using for Inktober, 2016. I wanted to show you a little more about my process and what Inktober is to me. 

Last year, I invested a lot of time each day, coming up with an idea, sketching said idea, and finally, completing an inked illustration. I like to be efficient with my available time. We all have busy schedules, family obligations, child care, a full-time job, or even looming deadlines. Everyone's schedule is different, but what time do these busy schedules leave for an art challenge like Inktober?
Here's one way to go about it, and it very well may give you some good ideas for other projects.
I decided to spread out the work. One night in early September, I took 31 sheets of Strathmore Mixed Media 400 series 14x11” paper and drew an 8x10” outline centered on every sheet. This would be the paper for the final inked illustration.
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8x10" pencil outline on 14x11" Strathmore 400 series Mixed Media Paper

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Another night that week, I paged through 642 things to Draw (Chronicle) and picked from their prompts. I wound up swapping out a few to form my final list.
Next, I started creating rough digital illustrations on my iPad Pro of each prompt. This took some time, but I broke it up over a few weeks, leading up to October. There is nothing wrong with being prepared.
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Catalogue of digital illustrations to be used for Inktober
Catalogue of digital illustrations created on the iPad Pro with an Apple Pencil in Procreate

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Finally, I printed out all of my illustrations and I was ready to begin. I have a slim LED light board that I use to ink on. I tape the digital illustration on the light board with the 14x11” paper on top, and then start inking. I usually ink at night during the week and whenever I have chunks of time on the weekend. 
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Printouts of digital illustrations
Printouts of digital illustrations

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Overall, I don’t look at this challenge as creating an ink drawing every night as stated by Jake Parker. As I said before, I need to be efficient. I am about a week ahead of schedule. In order for me to succeed, I need to utilize whatever time I have and keep working. By working that far ahead, I can prep for other things I have going on, RUCCL (RUTGERS UNIVERSITY COUNCIL ON CHILDREN'S LITERATURE) on October 15th, and I can finish up two picture book dummies for agency submission shortly after the Rutgers conference. 
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Illustrations for Inktober by Mike Ciccotello
Final inked illustrations
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Like last year, I will pull from these Inktober illustrations to create new portfolio work. I'm planning a solo exhibit with my best work from Inktober 2015 and 2016. And best of all, I'll be using the 2016 Inktober illustrations as story prompts for creating new picture book ideas.
To me, it’s not just about keeping up with a 31day challenge, it’s about nurturing those ideas into something bigger and making the most out of the body of work. If you ever thought about participating in Inktober, I highly recommend it. It's worth the effort. If you want to follow along with my progress find me on Facebook and Instagram. Check out my tool list below.
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Tools for Inktober
Some of the tools I use to ink

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Here are a list of tools I've be playing around with this year. These aren't absolutes when you pick tools, just items that I like using. Every artist has their preference. This might provide some guidance, if you want to try some pens out, but don't know where to begin. By using different tools multiple times, you learn what is comfortable, what needs work, and what you absolutely despise. 

Website:  Ciccotello.com 
Twitter: @ciccotello 
Instagram: @ciccotello 

Wednesday, May 18, 2016

The Beauty of Deadlines - by Diana Ting Delosh

I'm always amazed at what I can accomplish with a deadline breathing down my neck. It doesn't matter if the deadline is a sale for a postcard printing, submission window, conference or a commission. The hard deadline forces me to find my zen mode, banish distractions, make decisions and finish. It forces me to produce.
Meditating Lady - © Diana Ting Delosh Ink, Watercolor, Digital

Currently I'm in the throes of prepping for the upcoming SCBWI NJ June Conference. I've got about 2 weeks+ to get things done on my list. As usual the list starts out ambitious and very long. Now that time is running out, the list is getting pared down. Rather than a portfolio of totally New Art it's down to new pieces judiciously mixed in with older pieces and picture book dummies are getting their final tweaks. The deadline forces me to get my butt in chair and not get up until that illustration is painted.  
Postcard Front: Odion Skunk - © Diana Ting Delosh,
cover art from my Skunk story PB Dummy.
I had actually picked this as a possibility for the Postcard weeks ago
- was just holding out for future illo.

Monday night, just hours before the 40% OFF Sale at Vistaprint ended at 11:59 pm PT, it was suddenly crystal clear, what illustrations to pick, card size and how many to order. All of which I was fuzzy on until 11:49 pm ET.
Postcard Back: Boy Meets Octopus - © Diana Ting Delosh
This illo was inked, painted, scanned & PSed the day I  uploaded the design
because
that morning, I decided my Conference Postcard
must have a kid on it and not more animals. So I just had to give it a go.
It is after all a conference  for the KID Lit & Art set.
   

No a deadline won't help you make the best choices but it forces you to make a choice. Sometimes that's the difference between finishing and still working on it. Trust me, finishing things feels very, very good. I keep an annual list of my finished work.

The beauty of a deadline is that it breaks you free of the endless revision cycle. The one that you got lost in when you decided to try your best not to send out crap. Of course you should always do your best but at some point you have to draw a line and say this is the very best I have right now and show, submit, whatever. If it's a personal project, you can always toss, redo and revise later... again and again.

Grab the caffeine and eye drops. Show angst and self-doubt the door. Time to go into hyper-speed and make that deadline.

twitter: @dtdelosh


Wednesday, February 24, 2016

Groundhog Waltz, Illustration Process - by Diana Ting Delosh

Here's a peek into my illustration process.
My tools from L to R: mechanical pencil, 0.7mm HB black lead, kneaded eraser, Micron  Brush Pen, Higgins Black India Ink, brush, 00 Rapidiograph pen, Black India Rapidiograph Ink Universal waterproof for paper & film, assorted brushes, paint palette for mixing my colored inks.
 It all starts with a rough pencil sketch. Usually I refine it. Sometimes I'm bold and reckless and just plop the sketch on my light box, throw my watercolor paper on top and begin inking. Ideally, IF the sketch is spot on I should be able to ink totally on the light box that way there are no pencil lines to erase. However reality is messy and sometimes in the middle of inking I realize that the foot looks off or whatever and I start fixing it and then it's hard to see where I should ink so I'll finish inking on my drawing board.
Groundhog Waltz - Rough Pencil Sketch © Diana Ting Delosh
Haven't decided if they should wear hats or not.
Lately, I'm using either the Micron Brush Pen, truly water proof -Very  important as I paint over my ink work, or a brush and a bottle of waterproof ink for some of my line work. The problem with felt tip pens is that the point wears down and the black greys out. Love the thick lines and the ability to taper off to nothingness. Some details I add in with  Rapidiograph pens.

Before inking, I decide on the hierarchy of my illustration. What's the focal point? I use the more dynamic thick/thin lines on my primary focus. Thinner lines on my mid-ground/background. I'm right handed so I go from left to right to avoid smudging my ink. I also begin inking something crucial, so if I screw up, I haven't just wasted oodles of time. On the other hand, sometimes I just keep going and fix it in Photoshop later. Scan my inks after erasing any smudges or pencil marks.

After the ink is scanned I'll add in any pencil marks that I want for texture or further delineation.
Groundhog Waltz - Ink © Diana Ting Delosh
Sometimes beginning makes me nervous so I will ease into a piece. Sneak up on it. I'll start by painting the eyes or something else small. Lay down shadows in indigo and or sepia. Before I know it I've found my way into the illo and am painting away. After the paint has dried, I adjust colors as needed. I paint with colored inks, using them like watercolors. I like the brilliant colors. Like watercolors, it is a transparent medium. I can darken, mute or slightly alter a hue but I can't lighten. Thankfully most oops may be fixed digitally. Scan, Photoshop - Voila - it's done. Now off for a sugar fix.
Groundhog Waltz - Final Art © Diana Ting Delosh
Website: dianadelosh.com
Twitter: @dtdelosh