Multitasking - by Deborah Cuneo

I've heard more than a handful of kid-lit industry leaders mention,  that you should always have a steady  source of income (or two) in place, as you navigate your way through becoming a working professional in this industry.  If that supplemental income  happens to come from your own freelance studio,  multitasking, time management and self discipline become paramount!

My Studio

Prior to my decision to get into  kid-lit, I taught elementary school art and on the side, painted house and pet portraits and created custom artwork for a variety of applications. When I made the final leap into full time freelance it became clear that to make it all work, I would have to proceed in a more organized way.

House Portraits - Acrylic

First thing was to have a business mindset and as with any business, there needs to be a dedicated amount of time during the day to address  all the needs of the business. This was not an easy adjustment ,but a necessary one.

Second,  I discovered that once I started pursuing a career in children's publishing, making some of the art do double duty (when I could), was to my benefit  and a better use of my time. 

(From top, L to R): Birth Announcement to Portfolio, NJSCBWI JAS to Greeting Card

Aside from my work life, there was also my share of the daily, family responsibilities,  my volunteer work and possibly a little down time (still working on that!) that needed to be worked into the mix. The hours are long and It's exhausting at times, but staying organized and keeping pretty strictly to a daily work schedule has been helpful in making this all work...so far,ha, ha! 

Inspired by Koko and Harambe - Digital

The best part that came out of all of this multitasking, was that it forced me to develop  fairly disciplined work habits that help me to stay productive, not only with my freelance work, but in my home life as well .  (Can't say the same for my studio mate though!)

Slacking!

What seemed overwhelming at first, is manageable, I can do this, but it's definitely a series of conscious choices every day! I have to maintain the ability to resist the temptations that exist, while working in a home studio situation and that's not always easy. There are going to be those occasional days that you  feel like it's all just too much and you can't focus, but as one of my illustrative idols, David Wiesner , stated at the recent NJSCBWI conference lunch...

"...you can't allow yourself to get distracted by the laundry, errands,  the telephone, social media, or having a bad day...you have to just sit down and do the work, no matter what....you're a PROFESSIONAL!"

Treasures!!

Website: www.deborahcuneoillustration.com
Blog: Creating Out Loud  deborahcuneo.blogspot.com
Facebook: Deborah Cuneo Illustration
Twitter: @debcuneoart

NJSCBWI - by Mike Ciccotello

Photo by Tara Lazar

WOWZERS! I just got back from the 2016 NJSCBWI conference. 

The best time for me to review how I prepare and promote my work is right after a major event. The ideas are fresh in my mind and I can find ways to improve my workflow. Maybe this will help a new illustrator that wants to tackle a conference. Maybe it will show a seasoned conference attendee a different view. 

Social Media/Website/Promotional Materials

        Five weeks prior to the conference I updated all of my social media. I created a new profile picture and matched it across all of my social media. I decided to go with Business Cards & Postcards from MOO.com. The quality is fantastic. I designed and ordered my cards about a month prior to the conference. I wound up going with Five different pieces of art for the back, and coordinated those pieces on both business and postcards, as well as my website. The side that had my contact information coordinated with my social media and website.

Postcards Printed at Moo.com

Organization

        I saved all of my workshop documents, SCBWI scheduling information, and digital version of my portfolio as pdfs and put them on my iPad. This worked really well. I was able to have all of my documentation in one spot. If the opportunity presented itself to show my portfolio, and it did, I had it on me at all times.

My iPad with all of my SCBWI documents, portfolio, and sketches for the conference

Print Portfolio

        I went with a 14”x11” screw post portfolio. I originally had 18 illustrations, but cut it down to 14 illustrations, plus a beginning and end page that has my contact information. The images broke down to: 3 pen and ink, 1 black & white value, 10 full color. There was a blend of diverse children and animals, interior and exterior, character designs, and a couple sequential images. To see the post about my portfolio transition from last year, click here.

My Pina Zangaro Screw Post Portfolio

One-on-One

        At the time of registration, I didn't have a manuscript, so I decided to only purchase a portfolio review. I sat with an associate art director from Viking, Nancy Brennan. She had some great suggestions for my portfolio. I learned that having facing images that feel similar is great, but if the character expressions are the same, you aren’t showing emotional range. I will be creating a few new images and moving a couple illustrations around.

Networking

        I made sure to keep refreshing my postcards with my portfolio and with my juried art show piece. I also kept a small stack with me in case I needed to give one out. I was able to meet a whole bunch of new people in the children’s literature community. I even met a few editors, and agents. I’m looking forward to submitting my work soon.

The Saturday Night NJSCBWI Faculty Social

Illustrator’s Intensive

        I attended Nancy Brennan’s illustrator’s intensive. We had a special guest, David Wiesner. I asked everyone about the lighting and perspective. The major points that we discussed were the lighting and contrast. Everyone thought I could go a little darker. Mr. Wiesner pointed out some lighting considerations. I will be adjusting the lighting to improve the focus of the characters and the overall look of the room.

 

My original illustration from Nancy Brennan's Illustrator's Intensive workshop

Juried Art Show

        The theme was the first 6 words of W.B. Yeats’ poem, The Lake Isle of Innisfree, “I will arise and go now.” I took the theme quite literally and illustrated the whole poem. Where I believe that wound up limiting the amount of people that understood what I was illustrating, I learned so much about myself. I really enjoyed researching and world building. I enjoyed hiding clues that could make the viewer appreciate the piece at another level. That will be invaluable as my storytelling and illustration begin to intertwine.

My entry for the Juried Art Show, "I will Arise and Go Now"

For me, the NJSCBWI 2016 conference was all about improving my craft, putting my best foot forward to launch a long career in children's literature, and spending time with friends in the kidlit community. Thank you NJSCBWI, for organizing a spectacular event. I can't wait until next year. 

Website:  Ciccotello.com

Facebook:  The Art of Mike Ciccotello

Twitter: @ciccotello
Instagram: @ciccotello