Showing posts with label Halloween. Show all posts
Showing posts with label Halloween. Show all posts

Wednesday, November 15, 2017

How Do You Turn An Idea Into A First Draft? by Patricia Keeler

©patriciakeeler
Most author/illustrator groups will critique your manuscript once you've got it as finished as possible, but are there groups that help develop a seed of an idea into a first draft?

In a large room with two walls of floor to ceiling windows, about 20 graphic designers, theater people, art teachers and others, gather to develop portfolios and create children's books. They make up Monica Wellington's Monday (and Wednesday) night class, Children's Book Illustration, at the School of Visual Arts in New York City on 21st Street.

Monica's class is different from other classes I've taken. In the past I haven't presented a picture book idea to a group until I had at least a rough draft. In this class, we begin by drawing a sample illustration of a picture book concept that we are thinking about. We post our images on the wall.

©patriciakeeler
Sometimes Monica introduces a story prompt. In one class we wrote down jobs that our extended families have had. I was thinking of my brother-in-law who is a chef, so developed the idea of a witch who was a chef. (Think Oily Snail Soup and Crispy Spider Legs.)

©patriciakeeler
For each new story idea, we create an illustration. Monica asks each artist how their artwork relates to their story idea. The class critiques the artwork, and discusses the possibilities of the related story concept.

We are entering the second half of the semester, and the class has introduced a lot of new art and ideas for picture books. We now choose one story and are asked to create a thumbnail dummy with the story written under the pictures.

©patriciakeeler
From here our art will expand in size and detail as the story line evolves.

My classmates have a unique, insightful and sometimes funny takes on the work. They are kind and sharing, and bring a wide variety of illustration styles and techniques.

For me, Monica Wellington's approach to creating a picture book from one sketch feels like tiptoeing up to a sleeping tiger. It's a smoother, easier method than sitting down at a keyboard facing the open jaws of a blank screen. And artwork that doesn't develop into a picture book, works as a portfolio piece.

©patriciakeeler


©patriciakeeler

As a visual thinker, I appreciate Monica Wellington's unique approach to creating children's books. It's wonderful to have support from a terrific teacher and classmates when you're going from the fragile, uncertain beginnings of an idea, across that wide abyss to a picture book dummy.  

Helpful comments from Sophia Dookh, Estella Morgan and Monica Wellington.       ©patriciakeeler

Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeelerbooks

represented by Liza Royce Agency www.lizaroyce.com





Wednesday, October 5, 2016

Halloween Haunting by Patricia Keeler

I'm not haunted by ghosts, or scared of spiders or the dark. 
But one thing keeps me up at night in fear . . .
                                                                                                                                            © Patricia Keeler
 no, not rabbits!  it's beginning the illustrations for a new picture book. 
All that white. 
All those empty pages. 
All the UNdrawn.

© J Byron Schachner


At Eastern PA SCBWI, I heard a great presentation by J Byron Schachner—Judy to her friends. (She's one of those people who is so friendly that you think you are 'instantly' her friend.) So going on that assumption, Judy has a method for climbing into those scary white pages. It's a Character Bible.


In one of Judy's Character Bibles the pants came first. Judy found a picture of pants drying on a clothes line. She thought it was a great shot of pants. Maybe put a raccoon in them? Hello, Dewey Bob! Later, she found a photograph of a raccoon in a pair of pants.





Permission given by J Byron Schachner to publish images from her Character Bible on Drawn To Picture Books.
© J Byron Schachner
 Judy can spend a year or more creating a Character Bible before beginning to write and illustrate.  


I'm developing a story about a Halloween witch, and am creating my own Halloween Character Bible. I'm learning;

1. By collecting images of witches and cats, I'm finding what feet, noses, hats, etc., I like, and those that don't work for me.

2. I can sketch my characters in various guises, not worrying about the final look of the characters yet. Here they can grow and develop.


Building my Halloween Witch Character Bible         © Patricia Keeler
3. There are the common Halloween images like bats and spiders, but I'm finding pictures of objects I hadn't thought of, like brown moths and pumpkins wrapped in black lace.


4. While looking for witches and cats in shops, magazines, and online, I'm discovering new Halloween fonts and graphics.

5. I'm discovering new Halloween colors. Who knew pea green would be a scary color?

6. And surprising locations. The circus definitely works for Halloween images! Eeek!

© Patricia Keeler
Making a Halloween Character Bible feels like preparing the earth for planting. No wonder it is so hard for me to get anything growing. I've had little to grow new images from.




 
Here's my first sketch of a Halloween witch
 and I don't even have a headache!












Thank-you Judy for your enchanting stories, shiny characters, and kaleidoscopic art.
And for showing me a way in!

Judy Schacher signing DEWEY BOB, Dial Books for Young Readers, 2015
Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeeler

represented by Liza Royce Agency www.lizaroyce.com