Patricia Keeler
1. Any Good news?
Yay! I've signed a two-picture book deal with Sky Pony Press, www.skyponypress.com. Both
books will be published in 2017.
In LIZZIE AND LOU SEAL, Lizzie loves her flip-flops. They go shuffle-shuffle
across the rug, smack-smack on the floor tiles, and thwap-thwap
down the stairs, as Lizzie drags Lou Seal, her blow-up toy, to the beach. But
beach fun turns to beach disaster when Lizzie loses her flip-flops and Lou Seal
is losing air.
In the second, UNTITLED book, the little ice cream truck has
seen a lot of summers. He parks on a quiet street to nap. BOING! A red ball
bounces against him. Spunky is ready to play! The little ice cream truck is
game, but competition for Spunky's attention leads to circuit overload. Is
there a way to transform this situation?
2.
What is your picture book process?
Thumbnails never work for me. I
illustrate actual size from the get-go. I have an 8 foot bulletin board where I
post pages as I go.
I start by sketching the main
characters with a black colored pencil. I begin anywhere in the story where the
main characters are showing a lot of emotion. Then I skip around the story
looking for other personality traits of that character. Eventually I do
turnaround sketches--front, back and side--to make sure I understand what my
character looks like. Next I add backgrounds.
Then I get a coffee and one of
those chocolate cookies from Starbucks, and study the pages to reimagine which
images would be stronger by replacing the sketched characters or backgrounds
with graphic elements.
For example, in the ice cream truck book, the truck
breaks down and his ice cream melts. There are lots of pages of the ice cream
truck, so I covered half the page with dripping chocolate and placed children
with melted ice cream underneath. The truck is not visible, but the meaning is
clear.
In LIZZIE AND LOU SEAL, the beach
is replaced with an oversized, looming conch shell. The fact that they are
small next this huge shell adds drama.
3. Have you been to any interesting
children's book events?
Climbing the stairs to the New York
Library at night for a gala event felt magical. My husband, Francis McCall, and
I had published a photo book called A HUGE HOG IS A BIG PIG with
Greenwillow/HarperCollins, 2002. This earned us an invitation to Susan Hirschman's
celebration of her brilliant career.
The stars were out, literally, as
each author and illustrator was given a blue star to wear. When the stars were
lit, we realized how many children's book luminaries were in attendance, and
what a pretty light they all made. There was music, a man who typed your life
story on a card, and a circus! The performers moved through the crowd creating
their acts for talents like Vera B. Williams and Jack Prelutsky. At the end of
the night, we all stood on the front steps of the library and watched Susan
Hirschman disappear down 42nd Street in a horse drawn carriage. It was a
perfect farewell to the founder and amazing Executive Editor of Greenwillow Books.
4. What is your favorite yummy?
5. Who are your creative influences?
My crew! Thanks, guys!
or pass me wandering the back alleys in Hoboken
represented by Liza Royce Agency www.lizaroyce.com
.
