Showing posts with label Patricia Keeler illustrations. Show all posts
Showing posts with label Patricia Keeler illustrations. Show all posts

Thursday, June 7, 2018

2018 SCBWI New Jersey Summer Conference - By Barbara DiLorenzo

Yesterday, the Drawn to Picture Books Blog activated an old post, and sent it out to folks. For the life of me, I can't understand how that happened. I thought maybe I had set a time for it to release and typed the wrong year. But June would have been too early for the post to have appeared last year. My best guess is that the blog felt ignored, gained sentience, and nudged us to get going again.

I see you, Drawn to Picture Books Blog–happy to oblige. 

I was already thinking of writing a blog about this past weekend's SCBWI New Jersey Summer Conference. We were missing one of our members, lost to the wilds of Book Expo America. (Patricia Keeler, drawing on the spot, impressing all the librarians!) But everyone else was present. It was amazing to catch up in person, talk about our projects, and share our ongoing challenges. We also discussed sharing work with each other again–something, like the blog, that had taken a back seat when everyone got busy with actual book work. 

I realized during the conference that those outside opinions, other eyes on the projects, really do help us revise and refine our work until it's closer to presentation-worthy. I had a workshop before a one-on-one critique – and information from both brought a new idea forth for my current book dummy. That one idea would not have happened with me alone in my studio–I needed other eyes on my project. And that idea could be the element that brings the story across the finish line. 

Going to the conference was also very helpful in reiterating that publishing is hard work, and the best of the best get rejected–but they don't ever quit. I think I'll need that message until my last moments drawing and writing. The keynote speaker on Sunday, Tami Charles, brought that point home in her closing remarks.

I was very happy to see many friends enjoy leads to follow up with editors or agents. Some earned representation solely from this weekend. New folks were encouraged, which encouraged me. Seasoned writers and illustrators took in the workshops with a sense of calm purpose. I liked seeing that. The desperate energy I carried with me at my first NJ SCBWI conference was most likely offputting. These veterans confidently presented workshops and attended others. Some participated in the art show, but others–having won before–sat back to let others have a turn. 

What I was most struck by at the conference was Paul O. Zelinsky. He gave a great keynote address on Saturday. I could have listened to him speak for hours more than he was alotted. After that, for the rest of the weekend, friends and I kept bumping into him and having terrific conversations. From discussions about the pattern of his shirt (all the scenes from Z IS FOR MOOSE) to answering questions about publishing–he was so dang approachable, friendly, and funny. He is a giant in the industry. Friends for years with Maurice Sendak. (The photo below was taken from his Facebook page.) But he was still willing to answer questions about the editor/illustrator relationship with newbies. I thought his work was amazing before I met him, and was always a fan. But now I'm a fan of Paul, the person. 


I missed the conference in 2016 due to a funeral. And in 2017, I was financially strapped, with a new baby, and a book that had just come out–so completely overwhelmed. The previous conference I attended was in 2015. Because it had been so long, and I was missing friends and the world of kidlit, I volunteered for the NJ chapter of SCBWI just so that I would have no excuses to miss this year's conference. I'm so glad I did. 

I'm also glad I did, because for the first time ever, my illustration earned a nod in the art show. So did Mike Ciccotello's piece. It felt good to be up on the stage with my friend. I don't expect that to happen again–but that warm sunshine glow of that moment will be kept in my heart for those dark moments of doubt that creep in far too regularly. 

If you have the opportunity, get involved with your local SCBWI chapter. You will come home from an event with a feeling of validation–that what you are doing is important work. And the knowledge that you are not alone at all. Writers and illustrators all around the globe, who may not even speak your language, have your back. And want to give you the confidence to keep moving forward and never quit. 

Now to go order fabric with Paul O. Zelinsky's awesome pattern on it!



Wednesday, March 22, 2017

PRINT GIVEAWAY by Patricia Keeler




If you purchase a copy of Lizzie and Lou Seal and email a screen shot receipt to Sky Pony Press at 

wsparkles@skyhorsepublishing.com 

you will be eligible to win this signed 10" x 13" print entitled PETAL POWER!

And that's not all!
You will be entered to win the
GRAND PRIZE
of a manuscript critique by 

Sky Pony Assistant Editor, Kylie Brien



LETTING GO TO GET IT RIGHT


Several years ago I got a contract for a picture book I had written and illustrated. But when I turned in the final images, the book was cancelled.

I had made the editorial and illustration changes my picture book group and then the publisher’s editorial staff suggested. My realistically portrayed main character stayed under the watchful eye of her dad. She never smacked her chewing gum or stamped her feet.

I had no idea how my work could be any more appropriate for the children's book industry.

When attending to the remarks of children's book groups and the publisher’s editorial guidance didn't lead to a successful book, I decided to stop listening—to follow my heart—and take artistic chances!

I created a solid little girl with red hair that stuck out in all directions, much like the rock star PINK’s hair does.

©pkeeler 2017
I wanted a noisy girl who races around the beach in joyous abandon, while dragging a blow-up seal twice her size. How cool if her home was a retro beach trailer?

©pkeeler 2017
Lizzie and her pal Lou Seal were born!

Then I began experimenting with mixed media. I created page spreads using photographs of seashells that I collected from the beach. On the back cover I painted partially over a photograph of a sand castle I built.

I tried hand lettering. Then I threw sand across the page!

©pkeeler 2017

I wanted Lou Seal to look like she was made of plastic. I tried using an encaustic wax process. That worked for Lou Seal, but I discovered it created dynamic ocean waves!



Add a Lizzie and Lou Seal and . . .


©pkeeler 2017
Now I write about the things I love­—feisty girls, retro trailers and the beach. I dauntlessly experiment with new artistic techniques. Now there is magic!
  
Meet Patricia Keeler at Book Expo America 2017, Booth AM34, this June!
 
Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeeler

represented by Liza Royce Agency www.lizaroyce.com

 


Wednesday, February 8, 2017

Getting a Picture Book Contract - and a Kill Fee by Patricia Keeler


This video seems strange because I'm telling this difficult story while boats and trucks are rumbling around me. But maybe the chaotic location is the right setting for talking about navigating the arena of children's books. I guess that's why I keep laughing.

I was getting cold so I had to go, but on my next blog I'll explain why getting fired changed my thinking and lead to a 2 picture book contract.


An image from DRUMBEAT IN OUR FEET, (Lee and Low Books), which lead me to my first fiction book contract.

Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeeler

represented by Liza Royce Agency www.lizaroyce.com

Wednesday, August 24, 2016

Easy Peasy Photoshop CC Animation - by Patricia Keeler

LIZZIE AND LOU SEAL animation Mike created from my art. ©pkeeler


First, you need to find someone what knows animation. Then you tell them your best jokes


and suggest the thick sliced French toast with orange butter and blueberry syrup.


When they say they don't really have time to teach you how to animate, tell them to just do their best. Offer more syrup.

HOW TO ANIMATE

So here is what I learned in a nutshell and an afternoon. (This was the easy bit I could remember from what Mike explained.)




Trace an object three times-like a butterfly. 

1. Wings up

2. Wings half way up

3. Wings down

4. For 4, use the wings half way up image again. They look the same going down.













Scan each image into Photoshop as usual. 

You have four layers. The two red layers are the same 'wings half way' image. 

(Make sure each image is stacked directly on top of the other or you'll have a drunken butterfly. Which is kind of funny . . .) 









This is the exciting part! Go to Window/Timeline. See the colors on the Timeline? 
They match the colors on Layers.



Click on the right side of each color line and drag each one to the left to make a small box. 

Then drag and drop the other three boxes onto the top line. It looks like this.



Click on the  arrow on the top left, throw your head back and yell, "IT'S ALIVE!" 
and watch the butterfly flap her wings! 
The smaller the boxes, the faster the butterfly will flap her wings. ©pkeeler



I think Photoshop CC Animation creates choppy movements. 
There are better animation programs, but I kind of like the stuttering, 
retro feel of these animations--like a moment from an old silent movie! 

LIZZIE AND LOU SEAL ©pkeeler
Leave a comment letting me know if you would like info on how to save your animation as a GIF and/or post it on social media.


Website: www.patriciakeeler-author-illustrator.com
Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeeler

represented by Liza Royce Agency www.lizaroyce.com









Wednesday, July 13, 2016

Getting a Nonfiction Picture Book Published - by Patricia Keeler


The fire alarm in the Macmillan building is really loud! I know, because I set if off. I was so excited about having sold my nonfiction picture book, I couldn't wait for the down elevator. I ran into the stairwell, not noticing the Emergency Exit Only sign, setting off lights and sirens. Later, my editor said, "I knew that was you." 

So things got better on my second visit to New York.

With Marsha Marshall, Senior Editor at Atheneum Publishers/Macmillan

Making A Sale


Even though I'd rather chew ice on a bad tooth then market a picture book after my initial 'not-going-to-happen' rejections, I started mailing dummies to editors. I did get some pen and ink illustration work for textbooks, but it wasn't until I saw David Macaulay's The Way Things Work that I got the big idea to make an illustrated book showing where everything comes from. The biggest concept I could think of would sell, right? I called it Sources.

Sample dummy page from Sources
Sample dummy page from Sources
Amazingly, Marcia Marshall, Senior Editor at Atheneum Publishers/Macmillan, got back to me. Sources didn't work for her, but she was good with a picture book about where clothing fibers come from. Unraveling Fibers was to be published in 1995.

Marcia came to my Virginia home on her way to visit her daughter in Florida and collected the finished work for Unraveling Fibers. (So cool to direct my editor past the Virginia Museum and Dogwell Dell ampitheater and up my street. And there she was, munching cheese crackers in my kitchen.)

Marcia was surprised when I gave her a photo book layout and I'd done with my husband, Francis McCall. Switching from illustrations to photographs wasn't really something I thought I needed to talk to my editor about. We had to take the pictures anyway, and it seemed like a lot of extra work to copy them in watercolor.

There are some challenging editors, but Marcia Marshall has got to be the kindest, most understanding of them all.

Unraveling Fibers Photos


Francis and I grew silkworms. You can see silkworms still spinning themselves into the cocoon.
Jenny Wagner holding a llama. Alpacas on the right.

Unraveling Fibers Cover Designs


I did submit an illustrated cover design.

Original cover painting I placed on a bed of wool fibers.

 
They rushed out a cover with black and white photos. I think that might be my fault. 

My final cover design on left. Cover created by Atheneum on right.

Unraveling Fibers made the New York Times book review!


Website: www.patriciakeeler-author-illustrator.com
Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeeler

represented by Liza Royce Agency www.lizaroyce.com




Wednesday, April 20, 2016

I Know! I'll Illustrate Children's Books! by Patricia Keeler

www.patriciakeeler-author-illustrator.com

©patriciakeeler

Below is a picture of my mom with the family dog. Ordinary picture? Not exactly.


Mom is wearing a dress made with fibers she spun and wove from our dog! This picture was taken by a reporter for the local newspaper.

"And no, mom, I'm not not not wearing a skirt made of dog fur! What if it rains?"

And talking about smelly things--my childhood home smelled of boiled goldenrod (for fabric dye), rabbit glue (for making hats), and solder (for making jewelry). Mom was an artist--an experimental artist. So embarrassing.

©patriciakeeler
After getting married, Francis McCall and I moved to a big, old house in Virginia with a backyard studio. Actually, it was a two car garage but . . .

©patriciakeeler
I traded a giant painting of a peach to Peachtree Windows for a variety of remaindered windows. Every wall in my studio had windows in different sizes. My studio backed up to the woods. I did oil painting (header image), sculpture, and weaving.

My husband and his daughter would go to the library and bring home picture books. I thought, why not try writing and illustrating children's books? 

I sketched a story about a mouse returning a shard of sunlight to the sun,

©patriciakeeler
a story about snow animals coming to life,

©patriciakeeler
and a little girl who receives a magic gift.

©patriciakeeler
I put my illustrations and dummies in a portfolio, and took a bus to New York City. I mean, after seeing my mother's success at most every artistic chance she took, I thought becoming a children's book author/illustrator was an attainable goal. How hard could it be?


                                             My website is: www.patriciakeeler-author-illustrator.com
Facebook friend me at: PatriciaKeelerBooks        Follow me on Twitter: @patriciakeeler
represented by Liza Royce Agency www.lizaroyce.com