Showing posts with label kidlit. Show all posts
Showing posts with label kidlit. Show all posts

Wednesday, March 7, 2018

It Really Does Take a Village - By Deborah Cuneo



Little Dragon and the New Baby/Back Cover - Sky Pony Press March 20th 2018

To say that the journey to publication has been somewhat of a roller-coaster ride, would be a complete understatement!  Being totally honest, at times, it took every ounce of my being to be able to continue forward. 


Fortunately, I have had the best support system in my family and friends, my faith, my crit group and special people, who have known me since I started the journey into Kid Lit, who virtually held my hand while listening to me sobbing endlessly, as my deadline approached and my computer completely choked, destroying more than half of my final art files. There is a piece of each one of them in this book. 

Little Dragon and the New Baby/Interior - Sky Pony Press March 20th 2018


And on the other side of the desk, there was the amazing editor, who saw something in my scribbly little storyboard I presented at one of the always awesome NJ-SCBWI conferences. She believed in me and my vision enough to take this on, even though it was a risk.  And as she passed the baton, each one of the editors and support staff that I've had the pleasure of working with, also had a supportive hand during the course of this project, sometimes during some of the toughest hurdles in the production. 


I always thought that I would just sit down and draw and presto...a book, but it's really not like that at all. Each and every one of the people I mentioned, all played an important role in how this came to be. There is no way it could have happened without their involvement, and I'm truly grateful for them all!



So ... on behalf of myself and my "village", I'd like to present OUR debut book...

  Now Available for Pre-order!

(Click on the link below to Sky Pony's page for more information) 

Blog: Creating Out Loud  deborahcuneo.blogspot.com
Twitter: @debcuneoart 
 Instagram: @ataleof2studios


Wednesday, February 21, 2018

Preorder SCOOP & Choose A Free Gift! by Patricia Keeler




It's annoying to Preorder SCOOP THE ICE CREAM TRUCK and then to wait a month or more to receive it. Therefore, preorder giveaways! A treat to get in the mail while you wait for SCOOP!


BE OPINIONATED BUTTON

Square buttons with attitude that read Be Opinionated! Comes on a ribbon with a postcard too! I kind of love them. I have a lot of these!





GREETING CARDS - limited addition

Here is a collection of greeting cards with envelopes. They have art front and back, and quotes inside from some of my favorite children's book authors from the past. Six cards in the package measure 7" x 5".

©patriciakeeler


©patriciakeeler

ORIGINAL SKETCHES CREATED FOR SCOOP

Giving away original art may seem like a big deal, but most of my early drawings are on tracing paper and full of smudges. It feels kind of cool to sign the sketches and send them to a new home. I'd have to pick the sketch as each is unique, but you could choose either Spunky or Scoop.  
©patriciakeeler
Image measures 5" x 6"        ©patriciakeeler


To Preorder on Amazon type in SCOOP THE ICE CREAM TRUCK in the top bar. When SCOOP comes up, tap the Preorder button on the right and checkout! You won't get SCOOP for a month yet, but your publisher's giveaway will arrive soon!




After choosing a gift from above 

message me from Facebook 
or email me at patriciaannkeeler@gmail.com 
with your snail mail address.



*****  IT'S A DRAWN TO PICTURE BOOKS CELEBRATION  *****

SAVE THE DATE!

Three of us in Drawn To Picture Books have books being released this Spring. Whoo hoo! Barbara DiLorenzo, Quincy: The Chameleon Who Couldn't Blend In (Little Bee Books), Deborah Cuneo, Little Dragon and the New Baby (Sky Pony Press) and Scoop The Ice Cream Truck (Sky Pony Press)!

We're having our launch party together at Little City Books in Hoboken— my New Jersey hometown—at 11 am, April 15! You are all invited! More info coming soon.


Facebook:  PatriciaKeelerBooks
Twitter: @patriciakeeler
Instagram: @patriciakeelerbooks
Website: patriciakeeler-author-illustrator.com

represented by Liza Royce Agency www.lizaroyce.com

Wednesday, May 10, 2017

Trophies by Jason Kirschner

I know this isn’t kidlit related at the start but stick with it.  I’ll bring it back around. I promise.

So, a few months ago I was nominated for an Emmy. 

Well... a Daytime Emmy.  Same trophy -- I swear.  Best Art Direction.  It was my first nomination and I was really excited.  I got out my tux.  I found the moth holes.  Bought another tux (and some moth repellent.)  I got on a plane and flew out to California for the awards.  It was really exciting.  Me and my show friends got all dressed up and took pics. Pat Sajak was there!  There was a buffet and everything. We took our seats for the awards and about 4 minutes into the show they announced my category.  My heart was racing and my hands grew sweaty. And the nominees for Best Art Direction are…blah blah blah.  And then…

I lost. No trophy.

Ugh.  Sad.  It’s awful to lose. And it’s especially awful to lose on the third category of the evening.  It was a long show.  It threw me into a funk (No relation to Josh) for a few weeks.  A bunch of people correctly reminded me that it’s an honor to be nominated — which it is and I am honored.  I also took a look back at the work I did this past year and I’m really proud of what me and my small department were able to do under time and budget constraints.  The work was strong.

I’m feeling happier again but there’s something about writing these blogs that makes me contemplative.  So here's what I've come up with.  I’m sure I’ve written something to this effect before, but it’s really important to take a step back and look at what you've accomplished— especially in a creative field like television …or writing/illustrating for kids.  (I did it! I brought it back to kidlit.  I told you I would.  Ugh. I can’t believe you doubted me.) 

I think sometimes we’re so busy with our heads down, doing the work and singularly focused on the goal at hand, that we don’t stop to look around to see what we’ve accomplished.  I didn’t win the award, but the nomination was amazing.  And even more importantly, the work was strong.  I’m sure any of you could relate.  When we are putting in the effort and working daily on a project, a sketch, a manuscript, a dummy; it can be hard to see the growth and achievement.  I promise you it’s there.  So take a few minutes and pat yourselves on the back for the growth you’ve had as an artist in the past few days/months/year.  Congratulate yourself on your accomplishments big and small.  And make yourself a trophy out of cheese.  You deserve it.  That’s what I did at the Emmys and no one looked at me funny at all.  I promise.


By day, Jason is an EMMY NOMINATED set designer for television, with credits that include Harry, The Meredith Vieira Show, Late Night with Conan O’Brien, and The Late Show with David Letterman. By night, Jason is an author and illustrator of children's books. You can find his debut picture book, Mr. Particular: The World's Choosiest Champion on shelves in bookstores everywhere. See Jason's work, both illustrations and set designs,  at www.jasonkirschner.com . Follow him on twitter @jason_kirschner. 

Wednesday, February 22, 2017

Lost in (work)Space by Jason Kirschner

My workspace. I know I'm a mess. But it's MY workspace.
Workspace, and more importantly, workflow is something I've been mulling over a bunch lately.  According to definitions I just made up, workspace is the physical space where you work and how it's setup and workflow is the way you do your work and the tools you use to do that work.  I want to be turning out new and exciting work and I want to be working in the most efficient manner. Time is, after all, money. (I'm pretty sure I made that up too.)

For those reasons,  I get antsy every once in a while and want to change everything about the way I work. I want my desk on that wall instead of this one. I want to use watercolor instead of digital color. I want shade with markers before I scan my sketches. I want to draw on an iPad Pro instead of my Wacom tablet.  As I think these things, I’m quite certain that these changes will help me work faster and/or make my work more vital. And they might? Or they might not, I guess.

There's also something to be said for comfort level and familiarity.  Knowing how to work the scanner with my elbow does help me speed things along. I’m very comfortable with my grayscale Copic markers and I know just how hard to press when shading so I don’t screw up my drawing.  I’ve also memorized the Photoshop shortcut keys to the point that my brain couldn’t tell you which key to press but my fingers know all on their own. 

Changes are good though.  I tend to make them incrementally instead of all at once — mostly because I’m cowardly and lazy but also because I like where I’m at artistically.  Some people bounce all over the place and I must admit that both fascinates and terrifies me at the same time. 

When it comes to workspace and workflow, I also feel that we, as a community, should share more. When I flip through other people’s work online  (yes — I keep tabs on all of you. ) I am always SO curious as to how they achieved this look or that effect.  I also think people are too timid to ask one another how we did things or why we did them that way.  We should share more. 

In that spirit —not that anyone asked— here’s my workflow.  I always draw using a Prismacolor PC943 pencil (Burnt Ochre) because I think its a great middle tone. I more sculpt than draw with the pencil because I draw so many damn lines to get to the right one.  I then draw over my mess with a Prismacolor PC935 and find the right lines to punctuate.  The brown falls back to a sort of shading.  I then scan into Photoshop and color digitally.  I do adjust levels but I try to leave some of the mess underneath so it still looks “homemade.”



(Here’s the interactive part)
If you have the chance to share how you make your work, do so. (Hint: There’s a comments section here.)  Also, tell us about any changes you've made recently to your workspace or your workflow and how it worked out.  I’m sure I’m not the only one who’s amazed at how you do what you do.


By day, Jason is a set designer for television, with credits that include Harry, The Meredith Vieira Show, Late Night with Conan O’Brien, and The Late Show with David Letterman. By night, Jason is an author and illustrator of children's books. You can find his debut picture book, Mr. Particular: The World's Choosiest Champion on shelves in bookstores everywhere. See Jason's work, both illustrations and set designs, at www.jasonkirschner.com . Follow him on twitter @jason_kirschner. 


Wednesday, December 14, 2016

Happy Holidays! - Deborah Cuneo

Holiday Card / Mixed Media


WOW...December 2016 already? I just love this time of year! The colors, the sounds, the Original Art Show at the Society of Illustrators...


What an awesome show! Every single one of those illustrations hanging in that show, is a winner. Congratulations to all the artists and everyone involved in the production of those beautiful picture books!!  If you haven't seen it yet, I highly recommend  taking a couple of hours and popping down there to check it out. It's only on till Dec 23rd and you don't want to miss it! Here's the link:

 https://www.societyillustrators.org/exhibits/original-art-2016-exhibit

 Every time I see that show, it not only inspires me to raise my own illustrative bar, but it reminds me of how grateful I feel to be able to participate, even the smallest amount, in such an amazing industry!

 Wishing you and yours a very Merry, Happy and Healthy. May you all find inspiration, comfort and joy, in the hope that this season brings!

Creatively yours,
 ~Deborah

Wednesday, August 3, 2016

When Good Eggplants Go Bad (...and other tales of technical woes) by Deborah Cuneo



I don't know about anyone else, but this last few months have been especially challenging. Between kids leaving the nest, family health issues and a reboot on my book, I've been operating at a higher stress level and pace than normal. Unfortunately, real life goes on no matter what disasters are happening around you and there didn't seem to be any relief in sight, so I did what all of us do...worked right through it, cause' we're all professionals, right? (flashback to David Wiesner at njscbwi).  And for a while, I was able to successfully juggle it all and bury my stress in my art.


Burying the Prize - Pencil Sketch


Part of my "therapy"  was working out the palette for the book and spending countless, grueling hours teaching myself how to use my new digital tools. I was now ready to bring my color vision to life for Little Dragon!

 I felt a tremendous sense of satisfaction from the accomplishment  and that had almost completely balanced out all the stress from my personal life... when somewhere between finishing the final sketches and right before turning in the final cover art, the Earth must have shifted its rotation, causing a permanent state of full moon. Out of nowhere, my cover art and almost all my new tools, completely disappeared from my computer.  The ones that remained, well, any time I would select them, they would shut down Photoshop and destroy the file I was working on. Did I mention that the cover art was due the following week?  <Insert stress here!>


MINE! - Pencil Sketch


My hubby, who never met a mechanical or technical device he wasn't able to fix, was more than a bit baffled and no quick fix was in sight.  Panic set in! So what do you do when months of developing digital tools have completely left the universe and the art is due in a few days?  You take a breath, regroup, say lots of prayers and recreate the tools......"old school!!!


Creating Textures


I have to say, it was quite therapeutic  to use all my organic art tools again, after a year of focusing on digital. I didn't realize just how much I missed them.   After a couple of days of work, I was able to recreate pretty close to what  was lost in the computer and  the act of doing so, put my mind back in balance. I also found another way to use the two media together , which made me very happy and I'm thinking that in the end,  the art for the book may be better for having the experience (maybe that was the master plan all along???). 

Life...or at least kid lit, book life, was all good again... and quite randomly, as mysteriously as the programs and the computer in general , stopped working... it all went back to normal and I made my deadline! < insert sun shining and angels singing here!

From the book: Little Dragon - Sky Pony Press 2017
 

So, how do eggplants work into all of this?  During one of the days that I was having a bit of an internal, meltdown over the situation, I decided to go to the local farm stand, get veggies for dinner and just try to clear my head. Starring at all the colors and textures of the produce that's out this time of year, is quite inspiring!

 I began to make my way through the little marketplace and I happened to notice all these beautiful eggplants to one side of the wooden bins. On the other side, two eggplants that were every bit as fresh (just a little weird looking) caught my eye. They were seemingly cast off to the other side, rejected, in favor of the new, shinier eggplants.

I decided against eggplant for dinner and started to walk away, but my heart went out to the two rejects. I wondered what would happen to those poor vegetables after being cast  aside like that. Do they start hanging out  with the wrong eggplants and turn to a life of eggplant crime?...what was their story? So, I created a little photo shoot ( yes, right in the middle of the crowded farm stand) to highlight the heartbreaking reality of what happens when good eggplants go bad.




("The Meeting") When Good Eggplants go Bad   By Deborah Cuneo
When Good Eggplants go Bad  By Deborah Cuneo